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For the Aztecs, then, and no doubt for the cultures that preceded them, such face painting was the equivalent of a mask, as Sahagn's informants make clear in speaking of Huitzilopochtli: "His face is painted with stripes, it is his mask."53 Such facial painting, as a mask, allows the simultaneous perception by the viewer of the human and divine identity of the wearer and forces the realization, exemplified by the Hopi children confronting the unmasked kachina, that the world of man and the world of the spirit are essentially one, a unity realized in the liminal state of ritual
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