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Fincher: The casting process began with Daniel. Obviously, you build your universe. It is like building a basketball team. You start with kind of the anchor. You have to anchor it and we started with Daniel. I was thinking that I knew him socially and I knew him on the screen as a different kind of person. I knew him to be self effacing and to be playful and witty. I knew that I needed that for Mikael as well that I wanted a very masculine kind of center to the film. The androgynous side of the movie would be carried by Rooney. That was her job. I was looking for a sort of Robert Mitchum center. Then when we had Daniel and that was fairly complete we started to look at what are the elements that sort ofbecause they are sort of unable to be close to one another. They sort of push against each other. So I started looking at the things about Lisbeth that I wanted to see and I didnt see them initially in anyone that we were looking at and Rooney was right under our noses. I had already spent 4 or 5 days with her on The Social Network . But when you cast somebody you cast them not only forI look for an inherent kind of quality. You are going to be shooting 14 hour days and you are going to be tired. You are going to not necessarily be able to conjure armor or a faade every single moment

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This was a series of forty adventure stories with titles ranging from A Fight with the Spaniards, to The Gunpowder Plot, Who Was the Man in the Iron Mask? and The Revenge

Field, who was looking for an age-appropriate alternative to the tobacco favored by the players and coaches, ripped up strings of licorice and put them in a tobacco pouch to make it appear as if he was dipping